At least once a week, I drive to a nondescript house in suburban South London, take off my clothes and pay an attractive young woman to inflict pain and humiliation on me.
Saturday, April 19, 2008
Pain and Humiliation
At least once a week, I drive to a nondescript house in suburban South London, take off my clothes and pay an attractive young woman to inflict pain and humiliation on me.
Wednesday, December 12, 2007
Winter Draws On
I know we're supposed to be pleased when bike use rises, but I can't help thinking that it's not always a positive thing. It may make other road users more aware of bikes; or it may just annoy them even more. And some of our Summer bretheren do themselves -- and us -- no favours.
I'm not sure who I dislike more: the ones who just sail through red lights as if they're exempt from traffic laws; or those who stop at the lights, but force their way past you to the front of the queue then delay everyone by wobbling off at barely walking pace.
My favourites are those well-bred young women -- my commuting route takes me through Sloane Square and Knightsbridge -- who carve through the traffic on shopping bikes, wearing flip-flops and floral dresses. They combine impressive straight-line speed with a recklessness more suited to the last 100 metres of a Tour stage sprint finish. It's like watching Djamolidine Abdoujaparov, but dressed from the Boden catalogue.
If we could get some of them into GB kit and swap their Pashley's for a decent track bike, they'd give Vicky Pendleton a run for her money.
Anyway, the onset of cold weather has sent them back to the Picadilly Line and their 4X4's, leaving the roads to the grumpy hardcore.
If you're still out there, chapeau, take care and make the most of it -- it's the Winter Solstice in a week or so, and it's all downhill from then on.
Saturday, December 8, 2007
The story so far

It was a pair of eyes that started it. That began my obsession. They were streaked with red, blank with pain and despair, not the eyes of a sportsman. The face they stared from was coated with dirt, blood and spittle; the brows were caked and ghostly.
I’d seen such eyes in photographs before: in the faces of frontline soldiers after days of battle and nights without sleep; rescue workers after hours scrabbling through rubble; miners back on the surface after ten hours struggling at the peculiar hell of a coal face. Never on a man who rode a pushbike for a living.
The eyes were focused far away. Somewhere back down the road – kilometres of bone-snapping, teeth-rattling dirt and cobbles; the farm roads of Northern France, which grind down, then batter and break, men and their fragile machines.
The owner of the face, and those eyes, was no ordinary bike rider, in no ordinary race. He was Sean Kelly, the hard man’s hard man, an Irish farm boy who converted his unique talent into Continental superstardom. His unique talent was suffering – longer and harder than anyone else. And he was riding Paris-Roubaix, otherwise known as L’Enfer Du Nord, the Hell of the North, Queen of the Classics – the world’s toughest bike race. What one leading race organiser accurately called “the last trace of madness in modern cycling.”
I saw that photograph more than 20 years ago, and I’ve been hooked ever since.

